21 rare live performances include "I Wanna Be Sedated," "Blitzkreig Bop," and "I Can't Make it on Time." The song list includes "Teenage Lobotomy," "Rockaway Beach," "Sheena is a Punk Rocker," "She's the One," "Rock and Roll Radio," "Judy is a Punk," and so much more. Comprised of vintage concert and backstage footage, rare TV appearances, and a treasure trove of home movies that have never been seen before, this collection of rare material delves into a side of The Ramones of which audiences are rarely afforded a glimpse. They stuck by this winning formula over the course of two decades, and RAMONES RAW provides a behind the scenes vantage point from which to view the span of their long career. we could have left at any time.The Ramones were responsible to a large degree for the revolution that was punk rock, developing a style of short, fast, guitar-driven songs with catchy, poppy lyrics that paved the way for generations of rock bands to come. Dee Dee Ramone's oft-told tale of Phil pulling a gun on him when he threatened to walk out of the studio has become rock n' roll legend, though the alleged incident was downplayed by drummer Marky in an interview years afterward, saying that Phil "never held us hostage. Naturally, the stubborn, set-in-their-ways Ramones rebelled against Spector's perfectionist methods throughout the recording process, which led to numerous disagreements and session delays. Their budget conscious, hit-and-run work ethic was completely alien to the famously compulsive Spector, who was well known for keeping musicians in the studio for hours at a time, playing the same part or singing the same line over and over, until he finally captured the "right" take. The Ramones were used to banging out albums in a week or less, as cheaply as possible, so they could get back out on the road and continue touring. Joey Ramone was said to be especially excited to work with the legendary Spector, but unfortunately, the experience quickly turned into a nightmare for all involved.įrom the moment the Ramones began working with Spector at Los Angeles' landmark Gold Star recording studios, culture shock was evident on both sides. Phil thought the Ramones' high-octane sound was a perfect match for his brand of sonic re-invention. Spector was semi-retired at the time (the last album he'd worked on was the Beatles' Let It Be in 1971), but he approached the band during the filming of Rock N Roll High School to talk about working with them. Spector's vast catalog of pop hits had been a major influence on the Ramones' catchy, retro flavored pop-punk music. On paper, this must have sounded like a match made in heaven. to record their fifth album, End of the Century, under the guidance of famed producer, Sixties girl-group impresario, and "Wall of Sound" inventor Phil Spector. Hoping to finally score the elusive "hit" that would open the doors to the mainstream for them, the Ramones made a controversial decision to leave New York behind in mid-1979 and head to L.A.
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